One of the most memorable songs from Lionel Bart's Oliver arranged for SATB choir with Piano accompaniment by Norman Leyden.

The Beatles-A Beatles' classic is transformed into an expressive concert choral setting that works wonderfully for choirs of all ages and levels. Warm harmonies well-crafted vocal lines and a sensitive accompaniment make this a welcome addition to the repertoire. This version is arranged by Audrey Synder for 2-Part Choir.

Choral Suite Instrument : mixed choir (SATB) and piano (organ) Type : vocal/piano score Nombre de Pages : 40 As featured on the best-selling CD, this is a powerful and compelling account of the descent into and terrible consequences of war. Commissioned for the millennium by the Royal Armouries and dedicated to the victims of the Kosovo crisis, this work is a contemporary example of a mass based on the 15th-century French song L’Homme Armé (The Armed Man). The complete work sets sacred and secular texts including Tennyson, Kipling, The Koran and the Hindu Mahàbharàta within the framework of the Christian mass. Championed by Classic FM it has captured the imagination of music lovers everywhere to become not only a chart-topping CD but also one of the most currently performed and poignant choral works of the moment. This suite of five mass movements and the Hymn Before Action arranged for SATB chorus and piano/organ is suitable as a concert item or within a liturgical setting and will make a stunning contemporary mass alternative. Content : Kyrie - Sanctus - Benedictus - Agnus Dei - Hymn Before Action

Written in Salzburg in 1774 the Dixit Et Magnificat in C major K.193 is scored for SATB soloists Mixed Choir (SATB) Trumpet (2) Trombone (3) Kettledrum Strings (without Viola) Organ. Full score performance material (BA5340) and vocal score (BA5340-90) based on the Urtext New Mozart Edition is available for sale.

Choral Medley-Celebrate fun in the sun with this 8.5-minute medley of songs from the Disney Channel hit movie! Two surfers Brady and McKenzie are magically transported into a classic '60s beach party flick Wet Side Story where a full-blown rivalry between bikers and surfers threatens to erupt! Super fun for younger choirs it includes: Cruisin' for a Bruisin' Falling for Ya Like Me Surf Crazy Surf's Up.

This irresistible song by indie pop singer/songwriter Ingrid Michaelson celebrates the deep-rooted connections between people to create an inspirational and affirming musical showcase for choirs of all levels and styles! Available separately: SATB 3-Part Mixed 2-Part ShowTrax CD. Rhythm parts (syn gtr bs drm) available as a digital download. Duration: ca. 3:10.

Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.

Oratorio in three parts The oratorio “Athalia” tells the Old Testament story of the Queen Athalia. Handel composed it in 1733 for Oxford University where it was first performed later that year during the celebrations for the awarding of honorary degrees. The great success of this performance is generally regarded as a reason for Handel’s renewed interest in the oratorio form. As was frequently the case Handel also carried on composing this work after the first performance. Thus for the version which was performed in London in 1735 he introduced numbers in Italian for the Italian singer Carestini in the roleof Joad. He also ended the work with an organ concerto. For the performance in 1756 he drew on other works for the third act. Conversely large parts of the music to Athalia form the basis for other works by Handel such as “Parnasso in festa” (HWV 73) and the Wedding Anthem (HWV 262). The Piano reduction by Andreas Köhs (BA4082-90) based on the Urtext of the “Halle Handel” Edition includes the main version of 1733 together with an appendix containing the versions of 1735 and 1756 as well as the outline of a planned version of 1743 which was not performed. - Based on the Urtext of the “Halle Handel” Edition - Includes all versions - Detailed foreword (Ger/Eng) - Full score (BA4082) and Vocal score (BA4082-90) available for sale - Performance material (BA4082-72) available for hire

for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.

Written at the age of 12 in Vienna in 1768 Veni Sancte Spiritus K.47 is a motet scored for SATB soloists SATB chorus Oboe (2) Horn (2) Trumpet (2) Kettledrum Strings Organ.Full score Vocal score (BA4883-90) and performance material (BA4883) based on the Urtext New Mozart Edition is available for sale.

Discovery Level 3-Introduce your young choir to the famous jazz classic Lullaby Of Birdland! Set in an easy swing with great part-writing and craftsmanship! Arranged by Roger Emerson for 2-Part choir with Piano accompaniment.

The Beatles-A delightful choral arrangement of the 1967 No.1 hit by The Beatles arranged for 2-Part choir and Piano accompaniment. This deceptively simple song from the Magical Mystery Tour album has become one of the most significant and celebrated pop songs of all time and is guaranteed to be a sing-along favourite at any choral performance. Also suitable for younger voices and school choir performances. An arrangement for SAB chorus is available - catalogue number HL089200936 An arrangement for SATB chorus is available - catalogue number HL089200935

Lionel Richie's classic party song has been arranged here with an uplifting carribean feel for SATB choir and Piano accompaniment by Mark Brymer.

From the Paramount Picture Breakfast At Tiffanys. This version of Hanery Mancini and Johnny Mercer's classic has been arranged for SATB choir and piano accompaniment by Ed Lojeski.